It was very difficult to make music with it. I did not like their core library at all, because the idiot that recorded it Jacked the levels To the point where there was absolutely no headroom for the transients and the room sounded like noise. However, the trouble for me started after BFD2 was released. Back in 2005, BFD gave me the “drums in the room“ experience that I was looking for, having tried many drum libraries including DFH. I won’t hide the fact that I was a very rabid user of BFD. This has not been the case with keyboard plugins - I have a favorite Piano, Rhodes, B3, Wurli, Moog etc for a few years now that I cannot displace with new releases - I suppose they have become my sound.Įxception is Luna Moog but with no midi support and so no DAW and synth parameter control with midi keyboard and the choppy audio when my 2013 MacBook Pro fans light up, I will be sticking with Logic.Ĭlick to expand.looks like this might be one of those TLDR type of posts… I also manually saved all the presets into Logic's library for easy kit browsing from my midi keyboard. I have all the SDX and EZX and Midi Groove libraries and so when I use Tap 2 Find - I have a wide range of grooves and kits to apply to a new song.
But man when you try the first groove it's crazy how alive the sound is and I am able to work with a kit, a drummer, a studio and an engineer like Eddie Kramer ear's coming out of my monitors. But Eddie Kramer and his artists/time period he worked in is really my sound so I am an easy win. Maybe it's the newness of each one that gets me going or the better effort (and larger file size) that is hitting my ears. I have all the SDX libraries and I am finding that each successive one becomes my "favorite". I am fussy on the Amber kit in particular. Its really nice - really "alive" sounding to use a cliche.
I have it - downloaded it and let it eat up 180 GB (gulp) of my external HD - and playing around with it.
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